Tuesday, February 5, 2019
An Icon to Remember :: Essays Papers
An Icon to RememberDuring the Late Byzantium Period a impertinent burst of creative energy grasped the Russian artists. More artists emerged as Russians became to a greater extent and more interested in art. Earlier in the Byzantium Period art that had to do with religious worship, like statues and any religious imagery throughout the empire, was destruct under Leo III in iconoclasm (Kleiner and Mamiya 326). This era lasted nearly i hundred years. During this period icon paint became genuinely universal. These paintings are smaller portable paintings depicting Christ, the Virgin, or Saints (Kleiner and Mamiya 342). One of the approximately famous and potent icon artists to come about during this time was Audrei Rublev. In ca.1410 he knowing his masterpiece, the Old Testament Trinity (Figure 1), one of the most beautiful and popular icon paintings in Russia. Rublevs Old Testament Trinity was a very spiritual and an important icon painting during the fifteenth centur y. Audrei Rublev was innate(p) in ca.1360 and was known as a Russian painter and monastic (Rublev 304). He was so spectacular that his work had a profound bow on the development of Russian art overall. His paintings usually attributed to a more linear quality (Rublev 304-305). Rublev worked beside Theophanes the Greek and Prokhor from Gorodets, whom may have been his teachers, in painting the Cathedral of the Annunciation and also with the icon painter Daniil Chorny (Hamilton 93). Although there is very little background known of his life, his first appearance was in 1405(Hamilton 93). Audrei Rublev passed most of the remainder of his life in the Andronikov Monastery, where he is now buried (Rublev 304). He lived to be seventy and died in ca.1430. Audrei Rublev was one of the greatest icon painters for Russia during the midpoint Ages. The Old Testament Trinity was dedicated to Saint Sergius Radonezhsky c.1411 (Rublev 305). It was found in 1918 in a storeroom near the Cathe dral of the Dormition. Although having severe and irreparable damage enough remains. The painting depicts three angels that are in understood communication with each other, seated around an altar table with a chalice that indicates the subject of their contemplation is self-sacrifice (Art Treasures in Russia 61). The central figure, theology the Father, is further back then his companions, God the Son on the odd and the Holy Spirit on the right.